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[hour three, melt water running color]
it starts white. heavyweight cotton, undyed
01 — The blank
Heavyweight cotton, grown and sewn in the US. We buy them undyed and keep them that way until a city gives us a reason not to.
02 — The freeze
Dry pigment goes down first, matched to the city's palette. Then ice, packed over the whole thing. From here on the melt is in charge — we just keep the room cold enough to make it slow.
[melt water running color, hour three]
03 — The melt
As the ice melts, the pigment splits into the colors it was mixed from. That's the break — the marbling you see at the seams. It can't be repeated, which is why no two pieces match.
Roughly 14 hours, if we've done our job.
Every journey starts as a wall of photos, swatches, and things we shouldn't have brought back through customs. Belgrade's looked like this.
[spritz on a marble table]
[embroidery hoop test]
From souvenir to stitch
[the souvenir itself, photographed on the trip]
01 — the souvenir
02 — the drawing
03 — the stitch